1 Comment on PIZZICATO - Stockhausen* - Mixtur (CD)

1. Mixtur, for orchestra, 4 sine-wave generators, and 4 ring modulators, is an orchestral composition by the German composer Karlheinz Stockhausen, written in , and is Nr. 16 in his catalogue of terfeniracmita.stelfeccamarnewscortdekindtherivesemb.co exists in three versions: the original version for full orchestra, a reduced scoring made in (Nr. 16 1 ⁄ 2), and a re-notated version of the reduced scoring, made in and titled.

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2. View credits, reviews, tracks and shop for the CD release of Mixtur on Discogs. Label: Stockhausen-Verlag - Stockhausen 8 • Format: CD • Country: Germany • Genre: Electronic, Classical • Style: Musique Concrète, Contemporary/5(7).

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3. Home. Stockhausen. MIXTUR (; the CD contains the usually performed version for small ensemble ) for orchestra, 4 sine-wave generators and 4 ring modulators MIXTUR is a work where the sound of an orchestra playing live is mixed with electronics and the resulting sound mixture is reproduced by a group of loudspeakers in the concert hall.

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4. Mixtur dates from , and was the first work to transform orchestral sounds via ‘live’ electronic means. Originally conceived for a large orchestra, the amplified sounds from four distinct groupings – woodwinds, brass, bowed strings and pizzicato strings – are changed via .

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5. Pizzicato: Alternating h igh and low plucked clusters, decelerating and then accelerating Stockhausen Edition CD MIXTUR The release of MIXTUR on Stockhausen CD is in 2 single tracks (Forwards Version and Backwards Version). Here are my approximate timings for the individual Moments for these 2 tracks.

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6. Apr 24,  · Mixtur is divided into twenty sections – or 'moments', as Stockhausen designates them. These may be played either forwards or backwards and some internal changes to the order are permitted. The composer requests that there should be two performances and that no other music should be included in the concert.

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7. It is clear from the rehearsal instructions in the CD booklet and the comments Stockhausen makes on these that it is a delicate and difficult venture to get the electronic nuances working perfectly together in “Mixtur”.He says that “compositions using electro-acoustic equipment require much more patience, and that means more terfeniracmita.stelfeccamarnewscortdekindtherivesemb.co the testing and level-setting of the 30 individual.

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8. Karlheinz Stockhausen Instrumentation Works for Orchestra MIXTUR Introduction In I composed MIXTUR (MIXTURE) for orchestra, 4 sine-wave generators and 4 ring modulators, work number In , I added a second score entitled MIXTUR for small orchestra (work number 16½). Both were published by Universal Edition in Vienna. I took part in numerous performances as sound .

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